Set Work
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A Terrible FateProduction of large scale banners used to dress the space for Cliff Cardinal's show (Everyone I Love Has a) Terrible Fate (Befall Them).
Set Design: JB Nelles Lead Builder: Merle Harley |
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Flowers All AroundJoining forces again with Hour Studio Space I helped with design, and construction of a variety of oversized flowers.
Original window designs by Alexis Venerus, we worked together and collaboratively we blew up each flower into its unique elements to be made from paper. These were inspired by spring flowers, and incorporated photography by James Lai. These were on display Spring of 2023 in 8 different stores across the Trinity Bellwoods BIA. |
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Cloud CeilingClouds painted on apartment ceiling to compliment preexisting texture. Painted with help from Rebecca Gendron.
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Window DisplaysWorking with Hour Studio Space I built oversized mushrooms, and assisted in making oversized flowers for a series of fantastical window displays for the Trinity Bellwoods BIA
Design: Hour Studio Space Photography: James Lai |
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We Will Rock YouMade Signs and Posters for the wasteland as well as the Heartbreak Hotel in We Will Rock You Put on my Stephenville Theatre Festival. Singlehandedly decorated both areas in a limited time span.
Directed by: Heather Braaten Photos: Seanna Kennedy Photography |
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CruciblePaint work on set and accompanying props for The Crucible put on at Hart House Theatre.
Set design: Chris Penna Lighting design: CJ Astronomo Directed by: Michael Rubstein |
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Honour BeatAssisted the paint department in texturing large set elements for Honour Beat performed at the Grand Theatre.
Set Design: Tamara Marie Kucheran Paint: Richard Lawler, Craig Guthrie, Emily Dyke Photo Credit: Richard Lawler *I did not paint any of this piece |
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Canvas BackdropBuild up in Layers this 10' x 12' backdrop was designed by David Reyfeild. It was completed by myself as well as three others: Olivia Stanton, Jackie Harripersad, and Mia Zhang.
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FoodtopiaThis world was designed and build by me as a stop motion set. It was designed to be the backdrop for a character which is a Peanut Butter and Jelly Sandwich. Each of the buildings have been designed to accommodate different sizes of food from something small as a grape, to something tall as a carrot! All of the billings have a certain sense of whimsy and fun which I like to add to all of my creations.
It was super fun to make and design and I hope one day we will get to see something animated using it. Click on the pictures to make them larger and learn more about each peice! 
A mark from where it all began. This is seen as a detail on the base which holds all of the magnetized buildings in place.
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Shakespeare's Globe SignDesigned by myself for the Stephenville Theatre Festival's take on The Complete Works of William Shakespeare directed by Peyton LeBarr.
Painted by a volunteer painter brought in by the festival. Photo: Seanna Kennedy Photography |
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Set BuildThis photo of what appears to be just a black square is actually the result of months working with Toronto-based theatre company Video Cabaret.
Their unique performance style requires an all black set with the ability to project different images onto certain panels onstage. My work with them involved building their lighting grid and installing their lights as well as building flats, risers, headers and boarders. These I then helped paint black, and cover in either projection screening, a soft velvet-like material, or carpet. I worked on the majority of this project with Elliot Gerow and Andrew Dollar. |
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"Tommy Gnosis" DoorWooden door painted and distressed to look like an old steel door that would be a part of the Hart House Theatre.
This door was used as a reveal for the concert going on next door, it was important that it looked old and used. This was done so it would not draw any audience attention to it. The design I was given was simply that it should look as though it was a tech door in the space for many years. |